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    i88体育While Blasco Ibá?ez does not desire to be known as regional novelist—nor does a complete view of his numerous works justify such a narrow description—he[Pg vi] has nevertheless in his earlier books made such effective and artistic use of regional backgrounds that some critics have found this part of his production best. Speaking from the standpoint of durable literary art, I am inclined to such a view. Yet is there less humanitarian impulse in The Four Horsemen than in these earlier masterpieces? Whether Blasco Ibá?ez's background is a corner in Valencia, a spot on the island of Majorca, a battlefield in France, or Our Sea the Mediterranean,—the cradle of civilization,—his real stage is the human heart and his real actor, man.



    2.El Pescadero explained to Gallardo that most probably those people were French or possibly from some other country, he was not certain, and it mattered nothing to him. The couple seemed to have travelled all over the world and to have lived everywhere; to judge from his stories, he had been a miner in America, colonist in some distant island, hunter of wild horses with a lasso in America, and now he wished to earn some money as torero, and came every afternoon to the school like an obstinate child, but he paid generously for his lessons.
    3.And so Gallardo, trusting in his lucky star, took his way towards the Hotel de Paris, situated at a short distance from his own.
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